This might be out of context, or it might be brilliant. I have no clue. I’ve seen a couple of people elude to it but not seen someone come out and say it: I think the kitten is a Narcon physical construct.
And here’s why:
Let’s start with the Narcons and their rules.
Parameter 1: MetaNarcons Do Not Exist.
Parameter 3: Narcons cannot interact with non-narcons. and vice-versa. No matter what.
Parameter 5: Form is not a narcon limit.
The Narcon9 can lie. “last one… So okay, I was wrong. Not the last one. Sue me” (574-575).
Narcons can appear as animals. “Narcons can take on multiple shapes whether textual, musical…. Narcons may even appear as animals. Say a killer whale, boar, hyena, even a markhor, or an owl” (575) [By the way, the owl in the next book. hint hint. come on now. Tell me you saw that.] “This is often the case when personality factors determined to be significant are compressed in order to preserve future renderings of character.”
There is a form of meta Narcon that Narcon 9 is aware of but he lies to us in parameter one. “a superset [being Narcon 9] is always a subset [being the characters the Narcon 9 encompasses]. I’m the superset of my suvsets where I’m also an I. Just as I am a subset of a superset where I is also I.”
Trickster. Now let’s switch gears.
Remember Tian Li’s shadow cat that gave her magical healing powers? Anyone find it funny how is just up and disappears right before Xanther finds a kitten?
Okay so, here’s the theory a little bit more fleshed out. I’m supposing that Xanther is a special character. Obviously she needs a little healing. And maybe something in Xanther’s world needs preserving? So, I’m not suggesting Narcon9 but maybe a different Narcon that was helping Tian Li, took on a physical form of a kitten to preserve something in Xanther’s world and possibly healing Xanther?
It’s just a little connection I made. Hope you at least enjoyed reading it.
Reading this book has really gotten odd, honestly. There are so many different elements that are weird in the book that what appears to be going on is something straight from a G.G. Márquez novel.
For example, with Isandorno, we have a character who is a “practitioner of superstition without being superstitious.” This paradoxical statement along with the telling of his story in Veinte Pesos is really reminiscent of a dream sequence in a magical realist genre-ed book. Why the random animals (donkey and goat)? Why climb a pyramid? What does he mean by “What hunts you now you already own”? One critic said of magical realism, “If you can explain it, it isn’t magical realism.” So, I’m not really positing that this is magical realism, but it very well could be. Magical realism, too, is a practice in much of Latin American literature. (It is derived from the folklore of the region from which it comes–almost like the epic tradition from Homer to Virgil to Milton and then Eliot).
Magical realism acknowledges animals with spiritual significance, contains lots of metafiction, real world setting with unworldly events treated normally, and a mysterious tone — all things possibly present here.
I’m just posing questions here, honestly. I’m curious as to what exactly is pulling these characters out into the rain–what the rain represents–why the creation of a metafictitious device like a Narcon, and ultimately why write a 37-volume series about a girl who finds a kitten? I’m not confident we’ll get any answers too quickly — Danielewski doesn’t seem to function like that.