Raindrops
I really don’t quite understand the full significance of the raindrops but it is abundantly clear that they tie so many different aspects of this novel together. Raindrops are the strangest phenomena in this novel, Xanther seems to connect with this force of nature that certainly has a deeper meaning to its constant appearances. What do the raindrops have to do with the Xanther’s panic attacks and the narcons that each character is defined by? It’s possible that Xanther’s epilepsy ties into her ability to sift through other characters feelings and emotions in narcons and their computer code, but she is haunted by this influx of data causing her to have massive panic attacks. Her connection to the cat and her hunger for the number of raindrops displays her undeniable ability while that ability is still unable to be explained. Danielewski alludes to Xanther’s lonely battles with the rain on pg 66, “Like a ghost. A ghost in the raindrops.” Xanther has always been bullied and hasn’t been able to fit in due to her epileptic tendencies but the ability to read others thoughts and emotions could really have caused all these discrepancies with her peers. Borrowing from Kirschenbaum’s “Bookscapes,” the raindrops appear to be Xanther’s affordance between the narcons, other characters emotions and feelings, and her struggle to understand these frantic events while raining. Xanther unknowingly uses the rain to float between the layers of knowledge and power among the VEM, narcons, and other characters.
Realms of Existence
I’m calling this post ‘Realms of Existence’ and have tagged a lot of things because I really find that the way this book works–the more you read and think about every decision that went into what Danielewski has created–you will find that it’s all truly somehow related. That being said, I’m specifically wanting to talk about narrative presentation [i.e. syntax format] and how that relates to the larger idea of mediation and social existence.
In narrative form, whether first-person or third-person omniscient, an author usually leaves out some things and instead places subtleties or nuances that the learnèd reader would then pick up on and interpret accordingly. What I love/hate about this novel [specifically in the Ibrahim family chapters {though it can be seen everywhere in one way or another}] is that he leaves nothing out. Every thought that passes this character’s mind is on the page there. Take this passage from pp. 393-394:
Xanther [at once] punches the spacebar [another laugh from everyone {Xanther more eager than ever <which wouldn’t disturb Anwar <<it’s good that she’s excited and enthusiastic>> were it not for one of her wildly pumping legs <<her right>> sometimes <<though certainly not always ((and certainly not even often))>> signalling the onset of an event> is that what’s on the immediate horizon?} Anwar’s breath always coming up short at just the thought].
This stream-of-consciousness inner dialogue and over-explanation of every little thing is somewhat taxing for the reader. [It adds to what we know {what Danielewski wants us to know} about what’s happening, though, and it does encourage us to {if even subconsciously <though as the learnèd readers we can/have all decided to read into everything mediated to us>} read much more quickly]. Even in this very post, I’ve attempted to do something similar. I just find it worth noting and something that’s both interesting/intriguing and taxing. It’s nothing like I’ve ever read before, this book.
But what that makes me think about is things are communicated to us and how we exist in society, constructed inevitably through communication. The realms of existence for all of us could also be annotated in a similar way.
I am human [that is, homo sapien {North American <American <<South Carolinian ((Florentine))>>>}].
That’s a more taxonomic look at my existence but socially, it’s the same [and with social media and the Internet, we have the introduction of something that complicates everything {not necessarily in a bad way}].
Timehop allows me to see what I posted on twitter last year [which I then can share on instagram {which I can also tell to post on both twitter again <and facebook<<which ultimately means my mother will see it ((which I wouldn’t mind [[if I hadn’t called her a cow in the post]]))>>>}].
This all being said, I love how this books make us analyze how we specifically present our existence in narrative form–certainly a type of media [a medium]. It’s almost a sort of code [but that’s another blogpost altogether..].
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