Magical Realism?

Reading this book has really gotten odd, honestly. There are so many different elements that are weird in the book that what appears to be going on is something straight from a G.G. Márquez novel.

For example, with Isandorno, we have a character who is a “practitioner of superstition without being superstitious.” This paradoxical statement along with the telling of his story in Veinte Pesos is really reminiscent of a dream sequence in a magical realist genre-ed book. Why the random animals (donkey and goat)? Why climb a pyramid? What does he mean by “What hunts you now you already own”? One critic said of magical realism, “If you can explain it, it isn’t magical realism.” So, I’m not really positing that this is magical realism, but it very well could be. Magical realism, too, is a practice in much of Latin American literature. (It is derived from the folklore of the region from which it comes–almost like the epic tradition from Homer to Virgil to Milton and then Eliot).

Magical realism acknowledges animals with spiritual significance, contains lots of metafiction, real world setting with unworldly events treated normally, and a mysterious tone — all things possibly present here.

I’m just posing questions here, honestly. I’m curious as to what exactly is pulling these characters out into the rain–what the rain represents–why the creation of a metafictitious device like a Narcon, and ultimately why write a 37-volume series about a girl who finds a kitten? I’m not confident we’ll get any answers too quickly — Danielewski doesn’t seem to function like that.

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