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Giving Cats Everywhere A Bad Name

This post was originally a response to jcornejo33’s post about the kitten possibly being evil incarnate. However, the word count of the final product makes me hesitate to classify it as a “comment.” So here we are.

I have a rather wild theory about the cat and whether or not it is evil. I wouldn’t say it is evil incarnate, but it’s certainly not winning this year’s Miss Congeniality award. In fact, the cat (assuming that Tian Li’s white cat is the same cat that Xanther finds) is regarded with fear and mistrust by a number of people. In his first section, Jingjing tells us that the cat scares him. He talks about how the cat’s shadow creeps around at night, moving while the cat itself stays still (102-103).

Astair also dislikes the cat. Granted, Astair dislikes all cats, but comments by the Narcons lead one to believe that perhaps this isn’t personal bias talking. Astair calls it gruesome and disgusting. She wants to immediately throw it out of the house. Her lack of pity for the creature is odd even to Astair: “But where is her pity?” (684-685). Narcon 3 chimes in with “Because you weren’t wrong, were you, Astair?” (686) And Narcon 27 tells us that “she sensed what only one other could know”(687).

I think that this “one other” was either Jingjing or Tian Li. Jingjing feared it and Tian Li (in my opinion) was glad to be rid of it. When Tian Li tells Jingjing that the cat is gone, she says that it is “…gone at last. Gone for good “(702). Now, I’ve lost a few cats in my time and have never said that they were “gone at last.” That sounds like she has been waiting for it to leave. She can sleep now. Jing jing says that he had never seen her sleep before (694).

Even Xanther has a moment when the cat seems to be a little sinister. She hints that she experienced the cat has a “figure of terror, a predator, death personified” (804).

Alright. So now that we’ve got our bags all packed, let’s move into Crazy Town, USA. The burning question: What is the cat?

Some people are saying that the cat is a Narcon in physical form. Not a bad theory. The fact that the cat is weightless – maybe not really there – could support this idea (825). My theory also fits with the masslessness (is that a word?) of the creature. I think that the cat is Danielewski’s take on a Pontianak. Jingjing gets that Pontianak monster card with the owl on it. A Pontianak is a vampiric ghost in Malay lore. They have some connection to women who died in childbirth and /or the death of a child. The Pontianak usually takes the form of a woman. However, the Kuntilanak (the Indonesian version), can take the shape of an animal, especially birds.  The cat seems to draw on Xanther’s life force like a vampire. It “took more than one tiny breath” and “kept taking it too” (815). If Xanther hadn’t somehow stopped it, it would have killed her. The death of a child.

There is one more aspect of the Pontianak that makes me think that there could be some connection.  Lore says that the cry of the Pontianak sounds like the cry of a baby. When the creature is far away, the cry is loud. When it is nearby, the cry is soft. The cries heard by the characters were not described exclusively as meows. Some sounded like people or children. It could be the same cry but interpreted differently. Ok, so if we assume that the (…) represents the cry of the cat/whatever-the-heck-this-thing-is, the size of the (…) would indicate volume. The ellipses start off big and get progressively smaller. As each character hears the cry, they get smaller and smaller. The creature gets closer. Finally, when Xanther finds the cat, the ellipsis is the smallest one in the whole text (470). The cat is right there. Dun Dun Dun!

Ok. On to the wrap up! I hope I haven’t repeated something someone already said. This theory could be completely wrong. It’s entirely possible I’m making connections where there are none.  It could be that the Pontianak is what Tian Li is afraid of and what the cat is protecting Xanther from. There is just something about the cat that keeps me from seeing it as a protector. Artemis this cat is not.

That’s a Sailor Moon reference in case you were wondering.

Is the Kitten Evil Incarnate?

I kind of answered this in a response to another post but, what if the cat Xanther found was meant to be with her. I’ve been wondering if maybe the reason some characters can hear a meow or cry might be that the cat is trying to get attention from the character it needs to be with. Or maybe, since the theory is that Xanther can hear/see narcons, the cat “knows” that Xanther can do this and was deliberately trying to get her attention to be with her. Whether to protect or harm her remains to be unseen. However, since this book has been described as a story about a girl and her cat, I’m getting the feeling that the cat might have been sent to protect her. Here’s hoping for a Girl and Cat Space Adventure.

A New Way to Assemble a Team?

This may be way off, (or I’m just hoping), but could there be a possibility that all the characters will team up, whether responding to a call from Cas and the Orb, and fight what appears to be, an evil? It’s a crazy thought that’s probably not even close to the truth, but at this point, which is the end of the book, I just want answers. Not “is this what I think it is? What do you think it is?” I just want to be told what’s going on and I want it to be something epic.

The Thread Between the Stories

I know that the Orb has been addressed a number of times already, and I went back and examined some of the threads that were already made not only concerning the patterns of orbs throughout the text but what the meaning of the central Orbs in this story might be. Coming to the close of the book I felt like a separate post concerning the ending section of the book would be beneficial, and I felt that some of the information was just significant and different enough that it warranted a separate post rather than just a comment.

Looking back for a moment, the most striking thing to me about the sections concerning the Orbs was the fact that whatever is happening with the Orbs in Texas is happening at the same time as the rest of the narrative. Some of the introductory descriptions we get during the first Orb section include: “Eons slip by. The canyon rises. Her mesa falls then rises then falls again until eventually it flattens into a storm-polished plain. The temple, though, remains unchanged” (pg. 137). This kind of description originally led me to believe that I was reading about a civilization far in the past or the future, considering I wasn’t initially used to the formatting of the novel or paying attention to the dog eared pages.

Upon re-reading such a section, I realized that the Orb was giving the viewer, assumedly Cas, the ability to see into both the past and the future. I also noticed the time stamp on the dog ear indicating that this narrative was going on at the same time as everything else. This observation really put the events that were occurring in those sections a bit more in perspective, as well as increased my speculation that the technology that the Orb has is both very advanced and very experimental.

The section involving the revelation of the Narcon (pg. 563-578), short for “narrative construct” (pg. 565), put even more in perspective for me in terms of the main point of view from which all these stories are branching and how all of these stories might actually start to thread together and form a coherent and complex picture. One of the threads already mentioned running through all the stories is the presence of the striking wail which shows up at least once in all of the running narratives in this novel. Another thread involves the direct awareness of the other narratives by each other by the end of the novel.

This recognition occurs on the last page of the final Orb section, when on page 655 The Sorcerer states that he was a good friend of Xanther’s father, and knows both of him and his daughter, whose name he blatantly states. This is, as far as I can recall, the first instance of someone in a separate place and story within the narrative stating that they are aware of another story that’s occurring simultaneously along these many jumbled narratives. Unfortunately not much more of this direct connection is made since it isn’t brought up again in any following sections for the rest of the novel.

A number of questions arise in the face of this revelation. Are the Orbs connected to the Narcons in some way? Why were they developed and why are Bobby, Cas, and the others in their narrative the only ones aware of them or able to use them? Will this lead to a greater convergence of the narratives in the later volumes, a very distinctive thread that connects the narratives from a direct point rather than just someone in each of the narratives hearing a random noise? This evidence really only makes it clear that there is a definitive tie between the Ibrahim’s narrative and Bobby and Cas narrative—I can honestly say I am very much looking forward to see where the connection is taken and possibly expanded in later novels.

Side Note: One other possible instance of the narratives merging occurs on pages 434-435 when it appears Hopi’s name occurs in one of Xanther’s social networking chats, although I don’t consider this direct evidence considering I’ve read some other threads that discuss the possibility that this isn’t Xanther and Hopi’s narratives actually merging.

*Edit* — In class today it was brought to my attention that the one who says he knows Xanther and Anwar is actually The Sorcerer, and not Bobby. We theorized that perhaps Mefisto is actually the unnamed Sorcerer, and that this could be a very interesting and solid link between these two stories. If the Sorcerer really is Mefisto, how does that impact the plot of these two separate story lines? Why do you think Danielewski chose to merge them specifically? The more I think about it the more complex and intriguing it gets.