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“Hi.” This congenial, seemingly innocent greeting is what opens Pandora’s Box (and indeed opens paradise) in Volume 1 of Mark Z. Danielewski’s The Familiar. Like some metafictional game of peek-a-boo, the novel’s Narrative Construct pauses the story completely and introduces itself to the reader. TF-Narcon9, as is its designation, exists someplace above and beyond the […]
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