Does Danielewski draw, write, or both at the same time to bend our minds?

“Signiconic = sign + icon. Rather than engage those textual faculties of the mind remediating the pictorial or those visual faculties remediating language, the signiconic simultaneously engages both in order to lessen the significance of both, and therefore achieve a third perception no longer dependent on sign and image for remediating a world in which the mind plays no part.”

In my reading of this definition, the instance in which “rain” is spattered five thousand times across the page, is Mark Z. Danielewski inserting the Sigiconic into his narrative style.

Both language and image are being sublimated—an aesthetic effect is achieved by giving prominence to neither word nor picture, but equal disregard to both. The result is a zen-like suspension between grasping and grasping at straws.

As a comic book reader, this technique does not seem new, and it makes me wonder how far ergodic technique can go before its treading graphic novel waters.

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